
Read Luís Graça reflections on the challenges of teaching difficult histories related to colonialism in Portugal
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In 1852, the brig Camargo arrived in Bracuí, Angra dos Reis, with more than 500 enslaved Africans onboard.
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Angelo Ayedoun, a PhD candidate from Benin, reflects on the protection maritime histories and his time as an intern in Biscayne National Park.
Read MoreJune 15, 2026
June 1, 2026
Although Zora Neale Hurston never lived to see its publication, Barracoon gives space for an African man to reminisce about his homeland, enslavement, making the most of the United States, and losses on both sides of the Atlantic.
May 18, 2026
Discover the voices of "Unfinished Conversations: Africatown, Alabama," and how communities navigate the connection of past and present
May 12, 2026
Read Luís Graça reflections on the challenges of teaching difficult histories related to colonialism in Portugal
April 28, 2026
In 1852, the brig Camargo arrived in Bracuí, Angra dos Reis, with more than 500 enslaved Africans onboard.
January 26, 2026
Angelo Ayedoun, a PhD candidate from Benin, reflects on the protection maritime histories and his time as an intern in Biscayne National Park.
January 6, 2026
I just wanted to share a quick dispatch from our unforgettable morning in Angra dos Reis, the site of the wreck of the slave ship, Camargo. You know how gorgeous the coast of Brazil is. And three hours or so from Rio, it’s rural and lush, achingly beautiful. The mountains fold around the bay here and drop right into the sea. The water is every shade of calm. But we’re here because of the history of this place.
December 18, 2025
Written by AfrOrigens and Emerson Mec to explain the process of collecting water from the site of the Camargo for inclusion in the In Slavery’s Wake exhibition in Rio de Janeiro.
December 10, 2025
Descendants of the enslaved people from the Santa Rita do Bracuí farm now form the Quilombo do Bracuí and fight to remain on the land of their ancestors. The work of the Slave Wrecks Project and its partners in Brazil – AfrOrigens and the quilombo itself, ensures that this work is also about reclamation, about healing, and about empowerment.
it is upside down
Upside down
eeeeeeeeee
